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Course 4 · Lesson 4.2

Source, form and redaction criticism: what each asks

12 minute read

Lessons in this course

Course 4 outline

Module 1: How the Canon Formed

  1. What a canon is, and what canonical means
  2. The Old Testament canon: Law, Prophets and Writings
  3. The New Testament canon: from gospels and letters to a list
  4. Catholic, Orthodox and Protestant canons compared

Module 2: The Hebrew Bible and the Septuagint

  1. The Hebrew Bible and the work of the Masoretes
  2. Origin and character of the Septuagint
  3. The Dead Sea Scrolls and the state of the Old Testament text
  4. How New Testament writers quote the Old Testament

Module 3: Transmission of the New Testament Text

  1. Copying by hand: papyri, codices and scribes
  2. Manuscript traditions: Alexandrian, Western and Byzantine texts
  3. Kinds of variants and how they arise
  4. The principles of textual criticism
  5. Reading a critical apparatus and a translation footnote

Module 4: Reading Responsibly: Exegesis and Method

  1. Exegesis and eisegesis with worked examples
  2. Source, form and redaction criticism: what each asks
  3. Strengths and limits of the historical method
  4. Literary and canonical reading

Module 5: Meaning Beyond the Surface: Typology, Allegory and Genre

  1. Typology in the New Testament and the fathers
  2. Allegory and its critics: Alexandria and Antioch
  3. Reading by genre: narrative, law, poetry, prophecy, gospel and letter
  4. Setting, authorship and audience as questions to ask of any passage

Module 6: Christian Approaches to Interpretation

  1. The fourfold sense of Scripture in the medieval church
  2. Reformation principles: Scripture, clarity and the grammatical and historical sense
  3. Orthodox and Catholic approaches: Scripture within Tradition
  4. Historical scholarship and theological interpretation in conversation

Module 7: Writing an Exegesis

  1. Choosing a passage and framing a question
  2. Observation and context: what the text says and where it stands
  3. Using commentaries and reference works without being led by them
  4. Writing up, checking conclusions and revising

All courses

Program / Course 4: Biblical Studies and Hermeneutics / Lesson 4.2

What you will learn

  • State the question each of the three methods asks of a text.
  • Describe the Synoptic problem and the main proposals for solving it.
  • Describe the documentary hypothesis for the Pentateuch and the main criticisms of it.
  • Explain how these methods can be used by readers with different convictions about Scripture.

The big idea

Source criticism asks what earlier materials a biblical author used. Form criticism asks what small units lie behind the text and what life setting shaped them. Redaction criticism asks how the final author or editor arranged and shaped his materials to make his own point. All three belong to the family of historical methods. They offer ways of noticing features of the text that a surface reading can miss. Their conclusions are often debated, and Christians of different traditions use them in different measures.

Key terms

Source criticism
The study of the written or oral sources a biblical author may have drawn on.
Form criticism
The study of the literary forms or patterns of short units, such as miracle stories, sayings and psalms, and of the settings in which they were used.
Redaction criticism
The study of how an editor or author arranged, changed and added to his sources to express his own purposes.
Synoptic Gospels
Matthew, Mark and Luke, which are called synoptic because they can be seen together and share much material.
Q
A proposed lost collection of sayings of Jesus used by Matthew and Luke. The letter comes from the German word Quelle, meaning source.
Documentary hypothesis
A theory that the Pentateuch was formed from several documents, traditionally labeled J, E, D and P, combined over time.
Sitz im Leben
A German phrase meaning setting in life. It names the situation in the community, such as worship or teaching, in which a form arose.

Background

The historical methods grew up in the eighteenth and nineteenth centuries, when scholars began to examine the Bible with the tools they used on other ancient texts. They noticed repeated stories, shifts in style, and parallels between books. They asked how these came to be. Some of their answers have been widely accepted, some have been revised, and some have been rejected. In every case the methods give questions more reliably than conclusions.

The three methods in this lesson fit together as stages. Source criticism looks at the sources behind a book. Form criticism looks further back at the small units that fed into the sources. Redaction criticism looks forward to the finished work and asks what the final author did. A reader can use them in sequence, or can use only one.

A Christian reader may use these methods with different convictions. Some see them as tools that help the reader to understand how God spoke through human authors. Others use them cautiously, concerned that they can be turned to doubt the text. A fair study explains what each method does, and what it cannot do.

Step-by-step explanation

Step 1: Source criticism

The Synoptic Gospels are the best known case. Matthew, Mark and Luke share a great deal of wording and order, and also differ. Scholars ask how to explain this. The most widely held proposal, the two-source hypothesis, holds that Mark was written first and that Matthew and Luke each used Mark and also used a second source, called Q, for the sayings of Jesus that they share but Mark lacks. Other scholars propose that Luke used Matthew, or that Matthew used Luke, without Q, or that Matthew came first and Mark abbreviated it, which was the view of Augustine and of many in the church until the modern period.

In the Old Testament, the best known proposal is the documentary hypothesis. Scholars such as Julius Wellhausen in the nineteenth century argued that the five books of Moses combine four strands, J, E, D and P, named for features such as the use of the divine name Yahweh and the interest in priestly matters. Many scholars still use a version of it, but many others have changed or replaced it. They propose supplements to a core text or smaller fragments combined over time. Jewish and Christian readers who hold to Mosaic authorship reject it, or accept only that Moses used earlier material.

Step 2: Form criticism

Hermann Gunkel applied form criticism to the Psalms and to Genesis in the early twentieth century, grouping psalms by type such as lament, thanksgiving and royal psalm. In the 1920s, Martin Dibelius and Rudolf Bultmann applied the approach to the gospels. They proposed that stories and sayings were first told and retold in the early church, and that they took recognizable shapes, such as miracle stories, controversy stories with a closing saying, and parables.

The method is useful for seeing patterns. A reader who notices that many healing stories have a similar structure sees how the gospel writers tell the story of Jesus. But the method has drawn criticism. It assumed that the early tradition was shaped mostly by the community’s needs, and the assumption has been challenged by scholars who stress the role of eyewitnesses and the possibility of careful memory. Richard Bauckham’s argument, listed in the recommended readings for this course, is one such challenge. Others reply that a role for the community does not exclude a role for memory.

Step 3: Redaction criticism

Redaction criticism begins from the finished text and compares it with its sources. If Matthew and Luke used Mark, their changes to Mark show what they cared about. For example, comparing the gospels in the story of the stilling of the storm, one can see differences in how the disciples address Jesus and in how they are described. The method asks why each writer shaped the story as he did.

This approach changed the way scholars viewed the evangelists. They were not mere collectors but authors with purposes. Matthew arranges the teaching of Jesus in five great discourses. Luke places the journey to Jerusalem at the center of his gospel. These are features a reader can see without any theory, but the method gives them a framework. Its weakness is that it depends on knowing the sources, and where the sources are uncertain, the conclusions are less sure.

Step 4: Use the methods with care

A sound habit is to use each method for the question it asks, and to mark the level of confidence of each result. That Mark was written before Matthew is a conclusion with wide support. That Q existed is argued but not proved. That a certain story belongs to a form that developed late is an inference. Writing these levels down in your notebook keeps you honest, and keeps the method from controlling the text.

  1. Does this passage have a parallel in another book, and how do the two differ?
  2. What evidence is there for an earlier source, and what is only a theory?
  3. What form does this short unit take, and what setting might have used it?
  4. What has the author changed or added, and what does the change show?
  5. How confident are scholars in this conclusion, and why?
  6. What is the passage saying in its present form, whatever its history?

Examples

Two versions of one saying

Compare the Beatitudes in Matthew 5:3-12 with the shorter set in Luke 6:20-23. Matthew speaks of the poor in spirit, and Luke of the poor. A source critic suggests that both draw on a common source or that one adapted the other. A redaction critic asks what each writer wished to say. A reader can notice the difference without settling the history.

Doublets in Genesis

Genesis tells twice how a patriarch passes off his wife as his sister (for example Genesis 12 and Genesis 20). Source critics see this as evidence of different traditions combined. Others see it as a deliberate literary pattern. The example shows how the same feature can be explained in more than one way.

A form in the Psalms

Many psalms follow a pattern: a cry to God, a description of trouble, a plea, and a closing note of trust or praise. Seeing this pattern helps a reader understand Psalm 13, which moves from how long, O Lord to a statement of trust. The pattern is a way of seeing how worship was shaped.

Different perspectives

Catholic

In 1943 the encyclical Divino afflante Spiritu encouraged Catholic scholars to use the historical and literary methods. Later, the Second Vatican Council taught that interpreters must attend to the literary forms and the circumstances of the authors. The church also teaches that such study serves a reading in the light of the whole of Scripture and tradition.

Protestant

Protestants range widely. Mainline traditions have largely adopted the methods, and many evangelicals use them selectively, accepting the study of sources and forms while rejecting conclusions that deny the historicity of events or the unity of authorship. Others resist them altogether as based on doubt.

Orthodox

Orthodox scholars have often been cautious, valuing the received text and the fathers, though many Orthodox biblical scholars now use the methods with attention to the way the church reads Scripture. They tend to stress the final form of the text as the one given in the church.

Jewish

Many Jewish scholars use source and form criticism in academic study, and many traditional Jewish communities hold to Mosaic authorship of the Torah. Both approaches exist side by side, and Jewish scholarship has contributed greatly to the study of the text.

Secular scholarship

In universities, these methods are used as general tools of historical study, apart from questions of faith. Their results are tested by the same standards as other historical conclusions, and scholars of many convictions contribute to the debate.

Why it matters

Much commentary on the Bible rests on these methods, so a reader who meets terms like Q, J or redaction will want to know what they mean and how much weight they carry. The methods also train the eye to notice how a text is built. Used with care, they enrich reading. Used without care, they can claim more than the evidence allows.

Common misunderstandings

Misunderstanding: Q is an ancient document that has been discovered.

Correction: Q is a scholarly hypothesis. No manuscript of it has been found. Many scholars accept it, and some reject it.

Misunderstanding: The documentary hypothesis is established fact.

Correction: It was once a consensus and is now disputed in its details. Many scholars have moved to other models, and traditional communities reject it.

Misunderstanding: Using these methods means denying that Scripture is inspired.

Correction: Many Christians who hold Scripture to be inspired use the methods to understand how the human authors worked. Others avoid them. The methods in themselves do not answer the question of inspiration.

Misunderstanding: Redaction criticism says the evangelists made things up.

Correction: The method says the authors selected and arranged. Whether that included invention is a separate historical question that scholars answer differently.

Knowledge check

State the question each method asks.

Source criticism asks what earlier materials the author used. Form criticism asks what small units and settings lie behind the text. Redaction criticism asks how the final author arranged and shaped his materials to express his own purposes.

What is the two-source hypothesis?

It proposes that Mark was written first, and that Matthew and Luke each used Mark and a second source of sayings called Q. It explains the shared material and the differences among the Synoptic Gospels. Other solutions exist, and Q is a hypothesis.

What are the main criticisms of the documentary hypothesis?

Scholars criticize its confidence in separating sources, its dating, and its reliance on assumptions about literary development. Traditional readers hold to Mosaic authorship. Many scholars now prefer supplement or fragment models, though some form of source analysis remains common.

Why can redaction criticism be less certain than it appears?

It depends on knowing the sources. If the source, such as Mark for Matthew, is reasonably clear, the author’s changes are visible. Where the sources are uncertain or lost, the conclusions are less secure.

Think it through

  1. How might knowing that Luke used earlier accounts, as his preface says, affect the way you read him?
  2. What are the benefits and the dangers of looking for the history behind a text?
  3. Why might some believers welcome these methods and others distrust them?
  4. Does a text lose or gain authority when you learn that it was shaped by an editor?

Independent assignment

Compare a parallel

Choose a story that appears in two or three gospels, such as the stilling of the storm in Mark 4, Matthew 8 and Luke 8. In your notebook, set the accounts side by side and list every difference in wording, detail and order. Write 350 to 500 words saying what each writer seems to emphasize, and which differences you can explain and which you cannot. Do not try to decide the history of the sources. Keep your work in your notebook.

Further study